Let’s Get Over Ourselves, Please

I’m all for a good game. I’m all for a good discussion. I’m all for good discussions about games, as I’m sure you know by now.

You may or may not have heard, but a little game called Mass Effect 3 came out a couple of weeks ago. It has an ending that has proven to be quite the topic of conversation. I should know this because I posted a few thousand words on that ending myself.

But the conversation surrounding it has just become ridiculous and it’s getting harder to discover the signal amidst the noise. It’s become a conversation of extremes. And I think that calmer and saner discussion regarding the merits of such an impactful and significant series is being overshadowed by sniping and overreaction.

To Forum Posters, Bloggers, and Petition Signers:

Please stop with all this nonsense about asking (in your words, “demanding”) a new ending to the game, either though a change or a tack-on DLC. What you have is—for better or worse—the experience that Bioware crafted over a very long time and with years of hard work. It’s how they chose to end things. Like it or don’t, say that it was a good ending or don’t, but don’t get all crazy and start expecting that a developer is going to make a huge change just because you got angry.

What you are doing is limiting Bioware’s options for the future of the franchise, not creating more of them.

(Aside: whoever decided to turn everyone’s internet-rage into a force for good by raising money for Child’s Play, good for you. Well done.)

Stop accusing reviewers and the enthusiast press of being bribed or otherwise coerced into defending Bioware’s decision or giving the game a good review. These people are professionals (most of them, anyway) and they played the same game you did. Maybe they came to different conclusions. Maybe they are defending Bioware’s right to having ultimate authority over the creative process of the game. It’s ludicrous to think that they are just a loyal dog being walked by EA PR.

If you don’t like what’s being written about the game, write about it yourself. A good blogging service is free. Words are free. Sit down and write about it in an intelligent fashion. Encourage discussion without being a jackass.

To the Enthusiast Press/Game Journalists:

Please stop sniping at people who are getting upset about the ending and say something about it. Your intense defense of the situation is only perpetuating the poor discussion and contributing to the zeal of those who are trying to demand an ending. Write about the situation without descending into telling people that they are being dumb for speaking their minds. Rise above the trolling.

Did you like the ending and think that it has merit? Write about that. Write about your reaction to the ending and why you think it was fitting as closure for a series that’s been around for nearly an entire console generation. Do it without assuming that people who are railing about the ending and requesting a new one are idiots.

Do you think this is a question of creative license and about how a developer or studio should not be afraid of fan reaction when crafting the end to the story that they created? Write about that.

There are deeper and more interesting stories at play here. Find them.

Other Thoughts

I should probably sit down and write my thoughts on Mass Effect 3 at some point as I view it as one of the high points of the console generation and think it’s a great game despite my misgivings about the ending and how it was handled. I have sympathy both for people who found the ending ultimately unsatisfying and the people who invested large amounts of time and sweat into creating such an experience.

But such a thing deserves better discussion than what is currently dominant.

For my entire playthrough of Mass Effect 3, I witnessed something that was crafted with a great deal of love by people who knew that the series had engendered a great deal of love from its fans.

I’m interested in seeing where they go from here, and you should be, too.

The Doctors on Mass Effect 3 (and a potential MMO)

Ben Kuchera interviewing the “doctors” at Bioware for the PA Report:

“I just finished an end to end playthrough, for me the ending was the most satisfying of any game I’ve ever played… the decisions you make in this game are epic,” Dr. Muzyka promised. “The team has been planning for this for years, since the beginning of the Mass Effect franchise. Largely the same team, most of the same leads have worked on this for years and years. They’ve thought about [the ending] for years and years. It’s not something they’ve had to solve in a week or a month even, but over the course of five or ten years.”

The time investment in playing the game series hasn’t been as long for me as some as I did not run through the first game until around the launch of the second (after a couple of false starts), but I understand this feeling from the other side. I have been waiting a long time for this story to conclude and I’m happy to read that many of the people making it have been on the same team for even longer.

I asked about the popular fan rumor of a Mass Effect MMO. “Now that we’ve learned MMOs are really easy to make, and simple to run after the fact, we’re on it!”

“When you deliver a game, and you deliver it for a player, you have to capture what they think is the possibility space. You need to let them do everything they think they should do, and you can’t block them from doing anything they think they should be able to do. You have to nail all the features and content that should be in that possibility space.“ He paused for a moment.

Mass Effect is a big possibility space.”

As interesting as a Mass Effect-based MMO might be, I’m not so sure I want to see it happen. It’s a fascinating universe that I would very much like to continue playing in, but a huge part of the appeal of the series has been the huge amount of player agency afforded by the narrative. Granted, it’s still within the rails of a branching story, but actions that you take as Shepard create pretty big swings in the events that play out, moreso as you get closer to the conclusion.

Part of the structure of an MMO is necessarily that player actions can’t create large changes in the universe (unless you do some sharding of the experiences maybe). Without that kind of agency I’m not sure such a game would really be a Mass Effect.

Quarrel and Xbox Live’s Word Filter

Patrick Klepek for Giant Bomb:

Quarrel is a word game (imagine a mix of Risk and Boggle) with a massive problem: an inconsistent, utterly mystifying word filter.

Try typing in “help,” “start,” “hung,” or a variety of so-far unpublished words during an online game on Xbox Live Arcade and prepare to be told, without explanation, the word can’t be used.

You can see why this might be a problem for a word game.

I haven’t had the chance to play Quarrel online yet, but the fact that there’s a word filter at all on a game like Quarrel that depends on playing words in order to win is ridiculous, let alone the fact that the words that are being caught are seemingly completely innocuous.

I also have the Scrabble implementation that is part of Hasbro Family Game Night and have played it a couple of times, but I can’t recall running into a word filter this strict before.

“Microsoft clearly has reasons for censoring the words they do but we haven’t discussed that with them,” said Taylor. “What we’re focused on at the moment is working with Microsoft to provide a suitable solution.”

The “suitable solution” will come in the form of a patch in the near future. Taylor did not have a timetable for this patch, nor would he elaborate on the details of any proposed solution.

“Suffice to say that it will fix the current word filter issue,” he said.

The only acceptable fix in this case would be to remove the word filter entirely so long as the parental controls on the 360 are set to permit non-family friendly content.

I’m not quite sure what the concern is here. Quarrel is rated E, but every game that has an online component has to carry an ESRB notice that states “Online Interactions Not Rated by the ESRB.” There is a reason for this in that a rating system—however it reviews the content of a game—cannot actively anticipate all actions of a human player.

As an example of how misplaced this word filter is in a game of this type, I can attempt to play the word “start” in a game, and when that fails and I lose the battle (really, you should check out Quarrel, warts and all), I can let fly with an unrestricted string of profanities over the voice chat and there is nothing to stop me.

Chobot Effect

Allers

By now a good amount has been written about this “event” by various people.

It boils down to:

  • BioWare/EA releases the Mass Effect 3 voice cast trailer, which includes a bunch of people we expected and one person we didn’t.
  • Said person is Jessica Chobot, who also happens to be a member of the games press who did a preview of Mass Effect 3.
  • Cue crazy conversation tearing up the internets about (choose your topic): pandering to lonely male gamers, publicity stunt casting, conflict of interest, whether previews in game coverage are actual journalism, etc.

So far, the best opinions on this I have read are Susan Arendt’s rundown of the possible reasons for doing so:

I get all that. I don’t like it, but I get it. This is a business, after all, and EA is very, very good at gaming the system to get more of your munney. Which is why I just plain don’t understand the Chobot thing. What does including her hope to achieve? Let’s go through the options.

and Bill Abner’s thoughts on the journalistic integrity of this move or lack thereof:

It’s good to know that Maxim has finally infiltrated the game press and BioWare continues to fuel the repressed sexual angst of both teenagers and lonely adults.  Never fear, now you’ll get a chance to nail a virtual Jessica Chobot! Maybe she’ll even do a Fem-Shep scene! Dream come true, indeed. All of this is so slimy, so juvenile, and so…profitable.

Truth is, I don’t care if Jessica Chobot is in Mass Effect 3 or not. I mean look, if I don’t care that Martin Sheen is in it I really don’t care that someone who licks PSPs makes a cameo.

G4 should care, though.

They should care a lot.

Look. I had been wishing that people would at least give Chobot a break on this. As far as I can tell and understand, she’s actually someone she plays and enjoys playing games and has been a big fan of the Mass Effect series.

If you were provided this opportunity to voice a character in purportedly the last game for a while in one of our favorite series, I’m sure you would jump at the chance (and if not I would hope you would defer so I could do it instead).

BUT—

Then I read this interview puff piece on G4 regarding the casting announcement.

Let me provide you with some choice quotes:

“It’s a dream come true. I’m excited, stoked and honored. I’m seriously in 7th heaven,” Chobot said. “It’s cool just because it’s in a video game, but it’s also for one of my favorite companies of all time, Bioware, and in one of the most epic series of all time, Mass Effect 3.”

This is great. It’s about the kind of quote that I would provide were I in that position. BS detector not engaged yet; condition green.

Chobot says the sight of herself as a virtual character was a bit of a shock at first.  “You’re just not used to seeing yourself like that,” she explained, “I have huge chipmunk cheeks. I hope I don’t look like a chipmunk in real life…and the butt and boobs are impressive. I wish I had boobs like that, and the butt is quite large. I hope my butt is not that big, but I’m happy that everything looks very firm in the game.”

YELLOW ALERT.

This is a grade A humblebrag. It also happens to draw attention to the reason lots of people have been ragging on her for being in the game that I was hoping was just mistaken: “They made me look pretty in the game (except for the big butt) but I’m really not all that pretty” says the former model who had a picture taken suggestively licking a PSP.

But let us go on.

“Last I heard, I am one of the ‘romanceable’ characters in the game,” Chobot said. “I think you can bring me on the Normandy, I think you have the option of kicking me off too. I’m not sure if that’s before or after you romance me, so we might have a Jersey Shore moment. I think you can romance me with a man or a woman. We’ll see when the game comes out,” Chobot added.

When asked whether she planned to “romance” herself, Chobot said, “Oh, I’m gonna give it to me so hard.”

*klaxons blaring*

*exasperated sigh*

I could facepalm on this twenty times and it wouldn’t be enough. It is pandering, juvenile, and embarrassing all at once. I’m not often embarrassed by what happens in the games industry, but this “interview” by a “journalistic outlet” is just plain awful and I’m frightened to think that not only did someone write it, but I have no reason to believe that this is anything other than thinly veiled PR for G4 and someone thought it was a good thing to post to the internet.

As cool and respectful to women as Bioware has been with Mass Effect (female main character option with complete voiceover, strong female character in ME2’s Liara, range of love interests in ME2 for those playing as a female lead), they have done just as much that’s lame (female love interests that all have daddy issues and insecurity, Jack’s “clothes”, Miranda’s gratuitous ass cleavage), so this unfortunately doesn’t really surprise me.

I was hoping to be able to get past this and maybe be pleasantly surprised in a casting choice that strangely made sense in the end, but this promotion in the form of “reporting” just brings into relief the fact that it’s a mark of the immaturity that still plagues the game industry and the media that covers it.

No; Really – Buy Quarrel Today

Nathan Brown for Edge:

“We heard the same justifications for passing on it over and over again ad nauseam. One signal came through clearer than any other among the general noise of reasons why Quarrel wasn’t for them, and that was this: ‘Gamers don’t buy word games’.”

It’s a claim Anderson naturally disputes, and with Quarrel launching today on Xbox Live Arcade, he calls on gamers to buy a copy – “Or four, it’s only 400 MSP” – and to “tell everyone you can about the game. Discovery remains the single biggest challenge facing original games these days by far.”

I plan on proving them wrong later this afternoon (and I already have it on iOS). Join me.